Thursday, 13 November 2008

Planning a project

Bracknell Camera Club opened up a small workshop of 4 evenings on "Developing Work to A Theme". I cheerfully went along without a thought in my head but had a stimulating evening, run by Brian Steptoe, FRPS., and BCC club member. Brian went through various slides designed to get us thinking, covering types of abstract themes that can link sets of images, plus the various ways we could think about displaying them. All good stuff.

Then we had a bit of a round table with each attendee describing their initial thoughts. One wanted to start a project photographing bridges, one a particular chapel, another a series of images using Hopper's Nighthawks as inspiration. Most of the other attendees, including me, were somewhat more vague, but as Brian said this was decision time.

Something I have done in the past few months that I got a lot of pleasure from was visiting examples of the old (photographic) masters and seeing if I could reproduce something similar.

For example, the following shot was taken after being inspired by Steichen's 'The Pond - Moonlight':
1/160 sec @ f10, ISO 200, 24mm, Canon 5D

The interesting thing was that I only half remembered the original image. So my rendition doesn't have a pond in it (!), and it is in straight B&W, whereas the original had some rather dark sumptuous colours, possibly caused by the gum-bichromate printing technique that he used. One other minor point is that this is a setting sun rather than a moon :-)

Another attempt is blogged here and here.

I might extend this idea into a full project. Pro and cons:

  • It puts me in touch with what has gone before and having that sense of history seems important to me at the moment

  • My appreciation of the images I choose intensifies markedly as I work them over and attempt to analyse them

  • I learn a lot about my craft as I do the exercise

  • Will there be a problem with copyright if I display the source images together with my own? I will probably have to scan them from books?

  • There is a danger that it is creatively sterile, it is, by definition, derivative